Cultural Identity in African-American Women Writers’ Work: Gwendolyn Elizabeth Brooks and Lorraine Hansberry

Authors

  • Anca-Beatrice Matei Liceul Tehnologic de Mecatronică si Automatizări, Iasi Author

DOI:

https://doi.org/10.69475/

Keywords:

cultural identity, assimilation, stereotypes, black women, African heritage, cultural diversity

Abstract

The paper explores the causes and consequences of forced cultural alienation in the particular case of the United States and contrasts the melting pot concept to that of the salad bowl, linking the latter to harmonious personality development and rejecting the former as oppressive. It also revisits stereotypical cultural misrepresentations of Africa and African-Americans with a focus on their negative impact on the black female psyche. Meant to coerce black women into adopting artificially constructed identities so as to estrange them from their culture and keep them locked into subordinate positions in all institutions of American society, distorted images of black womanhood are seen as a vile and despicable attempt to convince the public that black women themselves, through their supposedly cultural and moral shortcomings, and not discriminatory practices of any kind, are responsible for their marginalization

Author Biography

  • Anca-Beatrice Matei, Liceul Tehnologic de Mecatronică si Automatizări, Iasi
    Anca-Beatrice Matei holds a Bachelor’s degree in English and History, a Master’s degree in American Cultural Studies and a Ph.D.degree in Philology. She teaches English at Liceul Tehnologic de Mecatronică si Automatizări, Iasi. Her research interestsș ș includeAfrican-Americanliteratureandfeminism,identityconstruction,literarytheory and cultural studies. E-mail: anca_gioacas@yahoo.com

References

Literary Works

BROOKS, Gwendolyn E., Selected Poems, New York: Harper & Row Publishers, 1963.

BROOKS, Gwendolyn E., The World of Gwendolyn Brooks, New York: Harper & Row Publishers, 1971.

HANSBERRY, Lorraine, A Raisin in the Sun, in Remnant, Mary (ed.), Plays by Women, Volume 5, London: Methuen Publishing Ltd., 1991.

Literary Criticism

BURR, Zofia, Of Women, Poetry and Power: Strategies of Address in Dickinson, Miles, Brooks, Lorde and Angelou, Chicago: University of Illinois Press, 2002.

CARTER, Steven R., Hansberry’s Drama: Commitment Amid Complexity, Urbana and Chicago: University of Illinois Press, 1991.

HOOKS, Bell, Ain’t I A Woman: Black Women and Feminism, Boston: South End Press, 1992.

HUTCHINSON, Janis Faye (ed.), Cultural Portrayals of African-Americans: Creating an Ethnic/Racial Identity, Westport, Connecticut: Bergin & Garvey, 1997.

MOOTRY, Maria K., and Smith, Gary (eds.), A Life Distilled: Gwendolyn Brooks, Her Poetry and Fiction, Chicago: University of Illinois Press, 1989.

SALETT, Elizabeth Pathy and Koslow, Diane R. (eds.), Race, Ethnicity and Self: Identity in Multicultural Perspective, Washington: NMCI Publications, 2003.

WILKERSON, Margaret B. (ed.), Nine Plays by Black Women, New York: Demco Media, 1990.

Published

29-07-2025

How to Cite

Cultural Identity in African-American Women Writers’ Work: Gwendolyn Elizabeth Brooks and Lorraine Hansberry. (2025). RATE Issues, 18(2). https://doi.org/10.69475/