Mothering and Daughterhood in Women’s Experimental Theatre. A Case Study
DOI:
https://doi.org/10.69475/Keywords:
mothering, motherhood, daughterhood, matrilineage, feminism, stereotypesAbstract
Motherhood as experience or, simply, mothering was defined by Adrienne Rich in Of Woman Bornas the relationship between women and their potential motherhood, between mothers, collectively, between mothers and their children, or between mothers and nature. In short, mothering or motherhood as experience is defined as relationship, opposed to motherhood as institution that limits women’s creation and freedom. Moreover, mothering could be defined as recognition of the motherwork and as an experience that is defined by both positive and negative feelings that do not erase the mother’s identity and ego. The feminist experimental play chosen for analysis, Daughters (the first play from The Daughters Trilogy), written by Clare Coss, Roberta Sklar and Sondra Segal, mirrors the experience of motherhood / daughterhood by focusing on the need for closeness and separation in the mother – daughter relationship as a universal characteristic that transcends race, gender, or background.
References
Primary Sources
Coss, Clare, et al. “Daughters: Part I of the Daughters Cycle.” The Massachusetts Review, vol. 24, no. 1, 1983, pp. 141–176. JSTOR, JSTOR, www.jstor.org/stable/25089405.
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